All you need to do is to mix and match lines and shapes. However, things are not always what they seem. And artworks by Kazimir Malevich, a pioneer in abstract art, are clear proof of that.

Geometric art is a combination of varied-sized shapes, weights, and colors. Intricacy accompanies each and every artwork. Yes, at some point, they are simple – but also complex. And this unique combination is intriguing. It appeals to us, lures us in, and sparks our interest.

Today, we share a collection of stunning business cards that put geometry at the center of their design.

Granatalm — Heart on the Mountain

This example was created by a skilled Austria-based design team for a hotel. It looks incredible. They’ve used squares, rhombuses, and zigzags to weave this plaid-like pattern. The design of these business cards and other elements of the brand identity feel hospitable, inviting, and modern.

Shine Bright! Business Card

This is another excellent example. You can easily distinguish two types of patterns. The first one is based on circles, whereas the second one is populated with spots. It naturally grabs the attention and directs it towards the tiny solid circle in the upper right corner.

Reality Lab London Business Card

Much like the very first example in our collection, this project by Ramin Nasibov is marked by geometric patterns with a high density of details. The author has experimented with various shapes – starting with lines and ending with hexagons – thereby coming up with a fantastic range of concepts that are tied together into one idea.

Cultural Centre in Lublin Branding

The concept instantly catches the eye with its subtle yet intricate design. There is nothing fancy, yet still, it manages to draw our attention as well as unobtrusively establish an aura of creativity.

Taiheiyo Kensha Branding Project

The combination of colors creates a slight anaglyph effect that makes things visually interesting in this business card. Simple geometric shapes such as triangles and polygons stand behind the project’s aesthetics. Without a doubt, it has marvelous authenticity and charm.

Second Choice Business Card

This business card demonstrates that all you need is a primitive shape and one color to make things look interesting. From the get-go, it becomes evident that this project has something to do with fashion. The idea is brilliant. It is simple yet ingenious.

dots&dash Business Card

If you feel like a pastel or minimal color scheme is not for you, you can always try to use some bright ones, much like this business card. The coloring is vibrant, yet it does not overpower the design. Bold geometric shapes and bright colors make this artwork so unique.

Konsou Business Card

If the previous example is too much and you prefer to stick to the time-proven choices, like a traditional black-and-white scheme, you should take a look at this business card. A music platform lies at the heart of this project, so it is not surprising that the design feels energetic and dynamic – even despite such a monochromatic environment. Shapes give it energy.

Unconventional Business Cards

This unconventional business card is an experiment created by Huan Nguye. He has taken the charm of the geometric world to the next level, making the business card interactive. Bearing in mind the rule that good design should be invisible and only revealed when needed, he has managed to create a masterpiece. Explore his presentation over at Behance for further information.

A+PRACOWNIA Business Card

This example will delight you with its marvelous minimalistic approach. There is lots of fresh air, the colors are neutral, and the shapes are primitive. However, with all that, the business card, as well as the other brand identity pieces, look interesting, and they go perfectly well with the architectural theme.

Costa-Perini Letterpress Business Card

This business card example is a well-thought-out combination of simple geometric shapes – starting with straight lines and ending with curved brackets. However, it has a certain art deco quality that looks splendid thanks to the beautifully embossed details. It is an apotheosis of geometric designs.

Defying Expectations

It may seem at first sight that designs where geometry runs the show are destined to be dull, primitive, and insipid. However, by no means do they concede to other stylistic solutions. They can be:

• Extravagant like Shine Bright.
• Bright and bold like dots&dash.
• Suthentic like Granatalm.
• Ultra-modern like Taiheiyo Kensha Branding.
• Traditional like A+PRACOWNIA.
• and even highly sophisticated like Costa-Perini Letterpress.

This direction is multifaceted and gives you lots of opportunities to show the world your creativity.

The post 10 Stunning Business Cards with Simple Geometric Designs appeared first on Speckyboy Design Magazine.

Still, for all of that high-tech beauty, there’s something to be said for the simplicity that classic pixel-based art brings to the table. It not only reminds us of the good old days, but it can also be an effective design technique.

Which brings us to today’s topic – the use of pixels as a background. On the right project, they can add an element of fun and a surprising amount of creativity. Let’s take a look at some code snippets that show the potential of the pixel.

The post 8 CSS & JS Snippets for Creating Pixelated Backgrounds appeared first on Speckyboy Design Magazine.

Remember, though, that being highly selective with its use is key to the success of the distortion, as users don’t typically like overly obtrusive effects. Tread carefully if you plan to make use of this tiny design trend.

Today, we have a collection of stunning CSS and JavaScript snippets for creating text distortion effects for your web design inspiration. Enjoy!

You might also like our collection of glitch effect Photoshop Actions.

The post 10 CSS & JavaScript Snippets for Creating Text Distortion Effects appeared first on Speckyboy Design Magazine.

This combination is not simply a colorful scheme used in tandem with geometry, but a true symbiosis where splashes of color are enclosed within various geometric frames.

These designs can interact with each other or work separately, but together they create unique abstract scenery that adorns the backgrounds of various elements of brand identity, from business cards to packaging.

Let’s look at some exciting projects that exemplify this combined trend.

Personal Branding by Allyssa Ellis

Let’s kick off our collection with a successful personal branding campaign: Allyssa Ellis’ very own brand. The purpose of this branding was to showcase her lively, playful, and magnetic personality to her target audience, and she certainly hit the mark.

From the get-go, the brand identity exudes a positive vibe that captivates and draws you in. The sleek and graceful shapes of the design contribute to an overall elegant feel, while the pastel color palette further enhances the feminine atmosphere. Overall, the project brilliantly encapsulates Allyssa’s unique creative perspective and character.

Floating Award, Campaign & Identity for Young Guns 16

Prepare to be amazed by this design’s exuberant personality! Despite the coordinated chaos of explosive, vibrant hues, it feels like an artistic outburst that captures the essence of young creativity.

It’s no surprise that the project boasts such a bold and slightly unconventional appearance, as it aims to represent young creatives. Note how the colors overlap the letters, blurring the boundary between foreground and background, resulting in a brilliant and innovative idea.

Identity & Packaging Design for Folks Patisserie

In contrast to the previous two examples that exude youthful exuberance, this brand identity project exudes a mature and sophisticated vibe.

The golden shapes add a touch of luxury to the design. Pay close attention to how effortlessly and seamlessly the designers have managed to merge such bold colors as lime and turquoise, resulting in a truly fantastic outcome.

Museum Identity by Kristina Hristova

This project is undoubtedly one of a kind, with a distinctively peculiar artistic quality that perfectly suits the museum theme. It wouldn’t be out of place among the installations of a modern art gallery.

Each element catches the eye with its intricate design, featuring thoughtful layering and color combinations that, at times, evoke a scrapbook style, albeit with modern twists and a restrained use of layers. This project’s distinctive and unconventional approach sets it apart from the crowd.

Taipei Songshan Airport Visual Identity by Seikyo Jo & I-Mor Liao

This project is simply outstanding, drawing inspiration from the airport terminal design and traditional Chinese window lattice to create a visually striking visual identity.

The design features sharp angles and rectangles that convey a techy and business-like vibe. The color scheme, derived from the airport terminal design, enhances the overall aesthetics.

Thousand The Boutique by Cansu Merdamert

Cansu Merdamert has tackled one of the most challenging yet stunning color combinations out there, guided by the client’s goal of cultivating an atmosphere of luxury living and the spirit of London.

The design’s use of green, yellow, and red exudes luxury without coming across as too flashy. The smooth shapes in the design also add a friendly and inviting touch, striking a balance between aesthetics and the business-oriented aspect of the project.

CiDOWN Brand Identity by John Dias

John Dias’ project is truly amazing! The use of bright colors, with purple taking center stage, combined with geometric shapes, creates a playful and positive vibe that skillfully captures the brand’s essence.

The shapes may seem childlike, but they add a touch of charm to the design. The duotone photography, featuring beautiful shades of yellow and green, blends perfectly with the overall design and immediately captures the viewer’s attention. The design not only sets the tone for the company but also conveys a message that’s bold and attention-grabbing.

Academy Brand Identity Design by Baianat

Unlike the previous examples with sleek aesthetics, this designer’s brand identity concept looks sharp – literally and figuratively.

The design features colorful polygons that come together to create striking visuals, and the typography with acute letterforms completes the ensemble. The project is aimed at youth and easily resonates with Generation Z, thanks to its daring appearance.

LFD Indentity by Atelier Irradié

Similar to the previous example, LFD’s brand identity also features sharp angles and irregular polygons that overlap each other, resulting in an intricate and layered design.

However, this time, the color scheme is less daring than Academy’s. On the contrary, the colors complement each other perfectly, creating a harmonious and balanced design. The beautiful patchwork design, reminiscent of leather, effortlessly portrays the fashion industry that inspired this project.

Sharing Horizons Debrecen 2023

Circles take center stage in this visual identity, with geometric shapes serving as a dynamic and symbolic element in the design.

The bright colors create a striking visual impact. Using horizontally split layouts identifies the horizon and enhances the overall idea. And the beautiful photography add a personal touch that makes the concept relatable to people.

Geometry & Colorful Shapes

Each trend has advantages and disadvantages, but both can effectively draw and maintain the user’s focus on the brand identity, resulting in magnificent designs that border on artwork.

Using bright color schemes in tandem with a geometric shapes doesn’t necessarily produce an overly ornate outcome, instead, the shapes, especially circles, soften the impact generated by the vibrancy of the colors.

While each trend has distinct qualities, they become a powerful force when used together.

The post The Beauty of Bright Colors & Geometrical Shapes in Brand Identity appeared first on Speckyboy Design Magazine.

As a rule, this name is the one associated with a company, and it lies at the heart of the brand and serves as a source of inspiration when it comes to creating a visual identity.

So it is not surprising that instead of using modern features, detailed illustrations, or creative typography, designers prefer to build their branding around their name, using it as a primary detail of the composition. Yes, it can be tricky since you need to turn this minimal approach to your advantage. It requires imagination and skill. But when done right, it can lead to a fantastic outcome.

To demonstrate this, we have compiled a collection of business cards centered around a name. There are a number of excellent examples that give you hints as to how to create a name-based card that looks stylish and memorable.

Nymbl

Nymbl opens our collection with its modest, yet marvelous design. Here, every detail counts. The creative team wants to convey a forward-thinking, experimental nature, along with a playful mood, tech appeal, and of course, personality.

It may seem impossible at first, but they have certainly nailed it. Every detail contributes to this mission – including the gorgeous purple color, luxurious paper material, and bold, intricate letterforms.

BY Studio

BY Studio is a classic example of a minimal business card that has just one word on the front side. It wins over potential clients with its stately and authoritative look. The latter is obtained by three main factors: classy black-and-white coloring, a fantastic letterpress effect and high-quality paper.

Elena Demireva

Elena is an interior designer who knows how to use color combinations to create the perfect mood. The front side of the piece features a small color card and the name, which is all it takes to convey Elena’s creative personality, showcase her expertise, and pique the interest of onlookers.

Soul Scapes

The color black and a holographic surface always form a potent combination. The business card of Soul Scapes looks incredibly sophisticated. While the flashy front side catches the eye with its mesmerizing appearance and stylish “makeup,” the clean black back side radiates a businesslike appeal.

Voyager / Frajda

If the holographic canvas is not an option, then you can always try some offbeat abstract designs used as a background. A – Bradley, who stands behind Voyager, along with Magdalena Marchocka, the designer of Frajda, show us how to achieve this.

Each one features only a nameplate on the front side. However, this is enough since the canvases are the main visual driving force. They make the business cards look not just artistic, but also creative and individual. While the first example feels more techy and cold, the second one feels warm and authentic.

Hey

Another way to make the most out of a canvas is to adopt an old-school gradient. Consider Hey’s business card. It is marked by a truly garish gradient that won’t leave anyone indifferent. It just draws the attention right away. The author even offers several options that nicely cooperate and complement each other – fitting the theme perfectly. Although the black typography requires a bit more contrast, nevertheless it is still readable and pretty perceptible.

Craft.chic Travel Agency

Craft.chic Travel Agency also relies on a gradient to make an impression. However, this time the gradient is less varied and more organized. It is deep, hot and sophisticated. This card looks exceptional. The name of the company is all you need here; everything else is done by the beautiful background.

Now, let’s shift our attention from the background to typography, since the latter is a popular tool for enriching minimal designs. It saves the day when it comes to business cards. Consider these prime examples.

Tidepool

Tidepool has customized typography where each symbol is hand-crafted. The idea of connecting the dots lies at the core of the concept. Each character has small solid circles. They form a hidden message. Also, note beautiful blue coloring and subtle canvas that perfectly complete the design.

Stefan Mader

This artist uses just a standard sans serif typeface. However, here it looks great. The front side of the business card reads only “hallo.” and is set in a relatively big size so that it strikes an eye right away. The black-and-white coloring, paired with a generous amount of white space, not only favorably highlights the greeting but also makes the design feel fresh, crisp, businesslike and of course appealing.

Carlos Bauer

Much like in the previous example, Carlos Bauer leverages a regular typeface – nothing fancy at all. However, there is a small twist that gives the business card a touch of personality. The artist has broken the word into symbols, made the letter-spacing as big as possible and excluded vowels –  leaving them to your imagination. As a result, the name forms the aesthetic here, adding its unique zest.

Getting Down to Business

Name-centric business cards can be lifesavers for those who prefer to get straight to business with their brand identity. Covering only the essentials, they are able to reach the audience and convey the required message without much hassle.

And thanks to some smart features and creative ideas that are used to save them from looking primitive and ordinary, they awaken curiosity and leave a long-lasting impression.

The post 10 Beautiful Minimal & Name-Centric Business Cards appeared first on Speckyboy Design Magazine.

So, what is Claymorphism? It’s a little bit retro with a hint of Material Design mixed in. These elements typically feature rounded corners along with beveled edges. The result is a softly-detailed 3D shape that practically jumps off the screen.

In some ways, it’s reminiscent of the ultra-thick images that were used back in the 1990s. Only this time around, designers don’t need to open up Photoshop. Instead, everything one needs is available via CSS.

If you’re looking to use Claymorphic elements in your designs, you’ve come to the right place. We’ve rounded up eight fun examples that have been modeled with creativity (see what we did there?) – enjoy!

UI Designs by Brandon Caples

Do you have trouble keeping track of design trends? This helpful snippet provides labeled examples for you – including Claymorphism. You might want to print this out and keep it for future reference.

See the Pen UI Designs by Brandon Caples

Claymorphism in User Interfaces by Shakhzod Tojiyev

Card UIs seem to be everywhere these days. They offer an effective means to make similar content items stand out. Here, Claymorphism is used to provide some extra impact without being visually overwhelming. The blue glow around the individual elements is a nice touch.

See the Pen Claymorphism in User Interfaces by Shakhzod Tojiyev

Ventilo by Bailh

This snippet shows that Claymorphism can go beyond static elements. Here, 3D shapes fly around the screen in a confetti-like animation. JavaScript powers the movement, but the clay adds to the overall aesthetic.

See the Pen Ventilo by Bailh

Claymorphic Dashboard * (Responsive, CSS Only) by Mozzarella

The design trend examples we share tend to focus on a single element. But it’s an extra special treat to find an entire screen devoted to a subject. This dashboard design features buttons, cards, and even a hero image. Be sure to check out the beautiful hover effects as well.

See the Pen Claymorphic Dashboard * (Responsive, CSS Only) by MOZZARELLA

Claymorphism Form Component by Albert

Here’s a real-world example of a Claymorphic container housing a form. Imagine this being utilized in a sidebar or perhaps even a modal window. The effect is subtle – making it a perfect fit for a business website.

See the Pen Claymorphism Form Component by Albert

Claymorphism by Preethi

While there’s nothing fancy about this snippet, it does offer a look at how this trend could apply to an alert message. There’s something to be said for the simplicity here. It grabs your attention, but in a friendly way (the emoji doesn’t hurt, either).

See the Pen Claymorphism by Preethi

wip by Ward Larson

We found a few developers who dared to combine Claymorphism with other trendy looks. This one pairs up the newbie with Glassmorphism, resulting in an ultra-cool UI. The semi-transparent glass container goes beautifully with the smoothly-beveled button.

See the Pen wip by Ward Larson

Untitled by Scott Shields

Perhaps the title of this snippet is uninspiring – but the work itself is quite meaningful. It utilizes Clay.css, a framework that adds Claymorphism to design elements. This is perhaps the quickest solution for those who want to dive headfirst into this style.

See the Pen Untitled by SS

Better Design through Clay

At first glance, Claymorphism may look a bit lighthearted and silly. And it certainly is capable of that kind of aesthetic. However, the potential is there to go deeper.

When utilized with a degree of subtlety, the style could be just the thing to liven up any type of website. It helps to create a natural separation between design elements (such as cards) and makes for a more intuitive UI (3D buttons). That could benefit everyone from bloggers to retailers and beyond.

The post 8 CSS Snippets That Bring Claymorphism to Life appeared first on Speckyboy Design Magazine.

It’s a UI trend where an element looks like it’s breaking free (or extruding) from its background. If you’re looking for a reference point, it seems reminiscent of that Star Wars scene where Han Solo is frozen in carbonite. But I digress.

As with any hot new idea, the web is teeming with examples of how this technique could be used in the real world. With that, here are some code snippets that bring neumorphism to life!

The post 8 CSS & JavaScript Snippets for Creating the Neumorphism Effect appeared first on Speckyboy Design Magazine.

The exact definition of glassmorphism can vary a bit. However, it’s essentially a “frosted” or semi-transparent element that mimics the look of glass and appears to hover over the rest of the page. Thus, the container’s background is allowed to shine through. You may even see some refraction in more realistic interpretations.

Want to see what all the fuss is about? We’ve put together a collection of glassmorphism effects built with CSS and other web technologies. They range from common UI elements like buttons to more abstract creations. Enjoy!

The post 8 Stunning CSS Snippets for Creating the Glassmorphism Effect appeared first on Speckyboy Design Magazine.

One solution that holds the power to truly transform a business card is the use of holographic foils. Their inherent properties offer a vibrancy that spans from light to dark tones, catering to the diverse needs of various designs and styles. Let’s delve into our selection of inspiring examples that demonstrate the immense potential of taking this approach.

Pink & Holographic Business Card Designed by Alexia Roux

The name of this project says it all. The business card takes its beauty from the color pink and a holographic foil that covers a significant part of the front side.

The latter has been designer using colder colors that perfectly balance the pink background, keeping it from looking too schmaltzy. Paired with the letterpress effect, it makes the content look fantastic. The business card conveys not just a feminine beauty, but also the creative soul of the designer.

Sweetland’s Business Card Designed by Lukasz Drozdz

Standing in stark contrast to the example above, the brand identity of Sweetland shows everyone that dark paper and holographic foil can form a potent partnership.

While the black paper gives the design a strong businesslike feel, the radiant holographic foil features a gorgeous gradient, making it feel sophisticated.

Daniel Barkle’s Personal Identity Designed by Dan Barkle

The personal identity of Daniel Barkle gives us a lovely combination of silver foil with a gradient overlay that creates a subtle holographic effect.

It is used on the entire front of the business card, making it eye-catching. The backside of the card is fairly minimal and clean, with all the contact information allocated to the corners, making it feel spacious. On the whole, the card looks businesslike with a touch of chic.

Soul Scapes Branding Designed by Mai Creative

Much like the previous business card, the silver foil effect in this example is the focus. It not only offers a simple metallic effect, but it also establishes the mood.

Both cards look similar, but the designer behind Soul Scapes has used a dark background and white font on the backside. This twist gives the design a classy appeal.

Square Holographic Business Card Designed by Pixelbuddha

This high-resolution, square-shaped business card template boasts a mesmerizing holographic effect. Its unusual and effective memorable layout guarantees a lasting impression.

Dawn Creative’s Identity Designed by Dawn Creative

With Dawn Creative, the holographic foil is not just used for decorative purposes. It’s also a way to display the content on both sides of the business card. The card’s front side greets potential clients with two clever semi-circles that symbolize the agency’s branding.

The back of the card, in turn, contains all of the contact information, which glows at various angles. Note the high quality of the paper. As a result, the business card feels sophisticated.

Joaquin Homs Branding Designed by Anagrama Studio

The personal brand identity of Joaquin Homs has two variants. The first features a radiant holographic foil to display his name on the front. It serves as a base for the contact information on the back. In contrast, the second option has the same design but uses silver foil.

The business card with the holographic effect instantly commands attention with its warm appearance. Even though the black paper attempts to hold back the vibrancy of the foil, you can still feel its power.

ILNP Boutique Cosmetics Designed by Marcin Usarek

In this business card example, the silver foil makes the letterpressed name stand out from the textured grey background, and the holographic effect on the edges gives the card a touch of vibrancy. This design is excellent for those who want to stick to a businesslike card yet still be brave enough for a little holographic creativity.

HBS Group Designed by Lange & Lange

If you are not quite ready to be swept away by the holographic effect, you can simply use it for establishing natural focal points on your business card, like the way the creative team behind the HBS Group brand identity has done.

They have merely sprinkled the business card with a bit of holographic magic that lightens the mood and enriches the dark environment with a marvelous classic appeal.

Borealica’s Business Card & Identity Designed by Anagrama Studio

In this example, the designers behind Borealica have used a holographic pattern as a decorative panel on the front side of the card and made it the main design feature.

Even though it occupies almost 90% of the card, it doesn’t feel overwhelming. On the contrary, its gentle beach-inspired gradient makes it soft and kind to the eye.

Holographic foil is a compelling medium. It is not just fancy paper with intricate coloring. It’s much, much more than that. It can sometimes exude a personality that can sometimes be difficult to hold back.

But, if you pair it with high-quality paper, subtle coloring, a beautiful font, and a large scoop of creativity, you will end up with a business card that no one will forget in a hurry.

The post 10 Beautiful Business Cards with Holographic Effects for Inspiration appeared first on Speckyboy Design Magazine.

A good resume may be adequate in some job-seeking situations, but more often than not, good is not enough. In today’s competitive market, you need a resume that stands head and shoulders above the rest. You want a resume that tells a story, makes a great first impression, can open the door to a new career, or make, rather than break, a job application.

Your goal must be to create a resume that represents you to your best advantage; for that to happen, it must be not only presentable but polished until it positively gleams. Let’s make that happen.

Choose Your Fonts Wisely

There are two primary groups of fonts – serif and sans serif– each has its place.

Serif fonts stand out when larger font sizes are needed, but as they are reduced in size, they tend to become less legible, creating a cluttered look. Avoid using serif fonts in the main body of your resume. Save them for use in section headers.

Sans serif fonts should be your choice for the body text. A change in font between headers and the body can create visual separation and clarity. If, however, you want to stick with one font group, sans-serif should be your choice.

Your Personal Brand & the Importance of Uniformity

A strong degree of uniformity is essential to best promote your brand. What you don’t want is to have your resume, cover letter, and portfolio appear to have been created by three different people.

All of the elements that make up your application need to look professional, and that can best be achieved by treating your job application as an exercise in uniformity when it comes to presenting your brand.

Black type on a white background can say a lot, but it is not always the best way to convey your talent for creativity and uniqueness. A sample of your current work, a photo of yourself, or colors that reflect your brand will brighten up your resume.

That can say more about you and your creative talents than several paragraphs of text.

The Resume Layout is All-Important

A Well-Organized Layout

Organization may be dull, but lack of it will only distract and possibly confuse the reader. A well-planned, well-designed, and well-organized resume will make a statement about you – as can a poorly organized one!

Once you’ve completed the first draft, the next step is to edit it down to a single page. Your challenge then is to separate the content into visually digestible chunks. Most resumes lack that feature, one that will make yours stand out, which is what you want someone who has been plowing through resumes to notice.

Start with a Grid Structure

A good way to visually organize the layout for your resume is to start with a grid structure, complete with columns, rows, and visual spaces or dividers. By doing so, it is much easier for the recipient to focus on or refer to individual items of interest.

A prospective employer, who is in the midst of pouring through a series of look-alike resumes, will sit up and take notice of one that is a pleasure to read, and not a chore.

Keep It Simple

As a designer and an expert at working with typography, colors, and layout design techniques, keeping things simple should be right up your alley.

Be careful about adding embellishments. They can attract attention, but by doing so, they can just as easily become distractions. Your goal here is not to impress, but to make for easy reading.

White space creates visual separation and can be a powerful method of providing focus. When you are trying to place the information you feel is necessary on a single page, the amount of white space you can effectively use can be limited.

The challenge is to make the best use of the space you have while avoiding a busy or cluttered appearance.

Consistency is important. Your headers should be similar in font and color. The same is true for your bulleted lists. Consistency in the look of your resume can speak volumes about your approach to your design assignments.

Make Your Resume Memorable

A presentable resume may or may not get your foot in the door, but a memorable one can improve your chances immeasurably. A good way to achieve this is to inject your personal traits and interests into the content.

It’s hard to project your personality and your willingness to respond to whatever challenges may be presented to you when you are not in the room. The test here is to present your bio in a short, informal, and punchy fashion – hobbies, outside activities, or interests, for example.

Find Creativity and Professionalism Balance

A Subtle Form of Creativity

Strike a finely-tuned balance between professionalism and creativity in the way in which you present yourself and in your resume’s design.

A resume is not the same as a flyer, a poster, or a billboard. It should not be flashy, especially for your profession, and, if anything, it should be a bit understated.

Judgments about your personality will be made before the prospective employer ever sets eyes on you or calls you on the phone. The same will be true when it comes to your professional capabilities.

Remember the goal of your resume. Its purpose is not to get you the job. Its purpose is to get you to the interview stage.

Creative, Yet Carefully Laid Out

The below example is packed with information, yet it is not cutesy, flashy, or weighed down with gradients that make it appear overly clever. It is creative yet not too experimental.

Avoid trying a unique, off-the-wall approach to writing your resume unless you don’t really care if you will be granted an interview. There is (at times) a fine line between presenting yourself as being ultra-creative and convincing the reader that you are a loose cannon.

You might also like to take a look at these free resume templates. They’ve all been created by designers for designers.

The post The Essential Elements of Creative Resume Design appeared first on Speckyboy Design Magazine.